gambling

Hieronymus Bosch and workshop - The Conjurer

Inspired by Hieronymus Bosch and workshop - The Conjurer

There are five known versions of this painting and one engraving, but most experts believe this one is the most reliable copy. It is kept locked in a safe and loaned out on a limited basis for special exhibitions. It’s been under lock and key, since it was stolen in 1978, but luckily returned a few months later.

Like many Flemish paintings it conveys a moral message. The owl in the basket at the conjurer's waist signifies the dark arts. The frog jumping from the mouth of the dupe represents reason having given in to bestial impulses. The child, watching the victim being robbed of his money purse exemplifies the Flemish proverb: "He who lets himself be fooled by conjuring tricks loses his money and becomes the laughing stock of children."

The conjurer enthralls his audience with a game of “cups and balls”, an ancient gambling game. It is based on deception and sleight of hand, thus the conjurer. The routine includes many of the fundamental effects of magic: the balls vanish, appear, transpose and reappear. An illustration of this game can be found on the 2500BC wall of an Egyptian burial chamber.

To see original: bit.ly/3MYwqtD

Georges de La Tour - The Cheat

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The Cheat - 1650
Musée du Louvre

Also known as The Cheat with the Ace of Diamonds. Two versions of the painting circa 1630 and 1635. The version I have placed Santa in is from the Louvre. The other version is in the Kimbell Art Museum, Fort Worth Texas. The Texas version is called The Cheat with the Ace of clubs because in the second version he changed the suit of the cheat card from a diamond to a club. This painting is a direct reference to The Cardsharps by Caravaggio (see blog post Dec 7). De La Tour was one of about 50 artists who showed there admiration for Caravaggio by copying this work of art.
In 1934, the Cheat was featured in the memorable exhibition of the Painters of Reality that brought French 17th-century painting back to glory and marked the revival of Georges de La Tour. This sparked a growing craze for the artist and the corpus of his works broadened.

To see the original: http://bit.ly/2gzgcbJ